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Shahid Kapoor And Priyanka Chopra Movie

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2012 film by Kunal Kohli

Teri Meri Kahaani
The film's stars pose behind the title, with the tagline, "Thrice upon a love story."

Theatrical release poster
Directed by Kunal Kohli
Screenplay by
  • Robin Bhatt
  • Kunal Kohli
Produced past
  • Kunal Kohli
  • Vicky Bahri
  • Sunil Lulla
Starring
  • Shahid Kapoor
  • Priyanka Chopra
Cinematography Sunil Patel
Edited by Amitabh Shukla
Music by
  • Songs:
  • Sajid–Wajid
  • Background Score:
  • Sandeep Shirodkar

Production
companies
  • Kunal Kohli Productions
  • Eros International
Distributed past
  • Eros International

Release date
  • 22 June 2012 (2012-06-22)

Running time

 115 minutes[1]
Land India
Language Hindi
Budget ₹300 million[ii]
Box part ₹540 one thousand thousand[iii]

Teri Meri Kahaani (transl.  The story of you and me) is a 2012 Indian Hindi-language romantic comedy pic directed past Kunal Kohli. Shahid Kapoor (Vivah - 2006, Jab Nosotros Met - 2007 & Kismat Konnection - 2008) and Priyanka Chopra (Dostana - 2008, What's Your Raashee? - 2009 & Anjaana Anjaani - 2010), who as well co-starred in Kaminey in 2009, portray three couples from iii different eras. In 1910 Sargodha, they are two star-crossed lovers during the British Raj; in 1960 Mumbai, a popular Bollywood extra and a struggling musician; and in 2012 London, 2 university students.

Kohli conceived Teri Meri Kahaani from the idea of soulmates, showing the force of love beyond generations by having the same ii actors portray all three couples without using a reincarnation theme. He co-wrote the film with Robin Bhatt. Muneesh Sappel created three sets for depicting the different time periods, requiring months of research and detailed designs. Principal photography began in Bombay in mid-2011 and later moved to London, where it was primarily shot at the Jublee Campus of the University of Nottingham and Stratford-upon-Avon.

Sajid–Wajid composed the soundtrack with lyrics by Prasoon Joshi. The film was released on 22 June 2012 to mixed reviews to positive reviews from critics, receiving praise by and large for the performances of the lead pair and their chemical science, the music and the production design, especially the re-cosmos of 1960s Mumbai. Fabricated on a budget of ₹300 million, the moving picture grossed ₹540 million. Although information technology performed "averagely" at the domestic box office, it fared well in the overseas market.

Plot [edit]

In 1960, aspiring musician Govind (Shahid Kapoor) and popular Bollywood superstar Ruksar (Priyanka Chopra) encounter on a train heading to Bombay, India. Ruksar had run away from her home Lucknow with her best friend to become a film star. The two bond over their careers just part ways later on arriving in Mumbai. Govind befriends Radhika (Prachi Desai), a confident and modern girl, who is charmed by his simplicity. Ruksar and Govind come across once again and hit it off at a party, merely Govind notices a photograph journalist post-obit them. He holds Radhika'due south hand to mislead the announcer, unaware that Radhika has fallen in love with him. Radhika is the all-time friend Ruksar had run away with, and the 2 tell each other about the man they've fallen in love with, not realising he is the same person. When Ruksar, Radhika and Govind all run across, the three realise what happened and brokenheartedly part ways.

In London in 2012, college students Krish and Radha meet after Krish breaks up with his girlfriend, Meera (Neha Sharma), on his birthday. After a misunderstanding between Krish and Radha is cleared, they become friends and spend time getting to know each other. When Meera learns that Krish is with Radha, she angrily uploads embarrassing photos of him to Facebook that go viral. Radha learns that Krish spent the night with her on his birthday just 2 hours after he broke upwards with Meera, but when she tries to talk to him, he is too busy retaliating against Meera. Frustrated and heartbroken, Radha leaves.

The film rewinds to 1910 Sargodha during the times of the British Raj. Javed, a Panjabi Muslim womaniser with a talent for reciting poetry, meets Aradhana, a young woman in the village, while being chased by the police. They become acquainted, but Javed's flirty nature upsets Aradhana. Javed insists she is special and focuses all his attending on her. He joins Aradhana'due south father in a protestation for liberty from the British, simply when officers begin to physically abuse the protestors, Javed hides while Aradhana's father is beaten. Aradhana is disgusted with him. To gratify her, Javed allows himself to be browbeaten and arrested in forepart of her. She visits him in jail and tells him their honey cannot happen, but he asks her to look. Three months later, Javed is freed, only he learns that Aradhana was married a month earlier. Aradhana tells Javed in tears that she only married to make her begetter happy. Soon later, Javed also must marry for his father's happiness. Aradhana comes to the nuptials to see him one terminal fourth dimension. During the vows, Javed realises Aradhana is wearing a widow's clothes and stops the wedding ceremony, insisting on marrying Aradhana.

To conclude, all three couples are revisited. In 1960, Govind packs up and boards a train, simply is followed by Ruksar, and the two reconcile. In 2012, Krish speaks to Meera and Radha one more time, severing ties with Meera and confessing his true beloved to Radha. In 1910, Javed and Aradhana vow that their dear volition non only terminal this lifetime but for all lifetimes to come.

Cast [edit]

  • Shahid Kapoor every bit Govind / Javed Qadri / Krrish Kapoor
  • Priyanka Chopra as Ruksar / Aradhana /Radha Chopra
  • Prachi Desai as Radhika Desai
  • Neha Sharma as Meera Sharma
  • Vrajesh Hirjee as Journalist
  • Shankar Sachdev as Suleman Qadri, Javed'south Father
  • Surendra Pal as Aradhana's Male parent
  • Raj Singh Arora equally Rohan / India
  • Aman Nagpal as Balwinder
  • Tarun Sharma as Cherag / Salim
  • Chand Mishra as Ruksar's Director

Production [edit]

Development [edit]

Director Kunal Kohli was fascinated with the idea of soulmates and conceived the film equally a tale of "the strength of beloved beyond generations".[iv] The premise would exist a love story with the same two actors in three unlike time menstruation that did not involve reincarnation.[5] [6] He said, "Information technology's the story of iii dissimilar lives and proves that love is a promise forever. We have called one hundred years to talk almost love. We didn't want information technology to be soppy or melodramatic."[7]

Kohli co-wrote the screenplay with Robin Bhatt.[8] He establish it difficult to represent iii time periods, but felt that the moving picture could appeal to anybody if he chose to "keep some of it in the past and yet make it youthful and modernistic."[9] He said, "I have created humour and situations which would exist liked by anybody".[9] For instance, he chose to display a different side to the Indian independence movement of the 1910s every bit opposed to the "unromantic and non-colourful" depiction. Kohli said "everyone takes a very serious approach to that part of the history," so he instead used it to frame a love story betwixt a Punjabi belle and a Casanova.[9]

1960s Bollywood also fascinated Kohli, who wanted to pay tribute to Raj Kapoor, Dev Anand, Shammi Kapoor, and Dilip Kumar.[9] [ten] However, rather than remaking films of the past, he "remade a whole era. It is much easy to remake a film, remaking an entire era is not a breeze; it is a very challenging chore."[11]

Through the last storyline of the motion picture, set in 2012, Kohli wanted to demonstrate a modern romance, which more often than not happens through SMS, instant messaging apps, and Internet chat. Kohli described it past maxim, "Today people flirt, communicate and connect through smses and y'all go that feeling of beingness with somebody fifty-fifty when you are not with that person because that person is telling you everything that is happening in their life. You are constantly updating the other person with your thoughts and that is what keeps you connected to that person."[vi]

In February 2011, it was announced that Kohli would be producing the film with Eros International.[12] Amitabh Shukla was chosen to edit the film while Sandeep Shirodkar was brought in to compose the background score.[eight] [xiii]

Casting [edit]

In November 2010, Kohli appear that Shahid Kapoor would be starring in his untitled upcoming moving picture and stated that he was looking to sign the leading extra in the next few days.[fourteen] In January 2011, Kohli confirmed Priyanka Chopra'southward casting on Twitter.[15] This became the second film collaboration between the two actors after Kaminey (2009).[fifteen] Kohli said that he had always wanted to bring Kapoor and Chopra together for a "quintessential musical love story."[sixteen] Kohli had approached Kapoor for a dissimilar film while the script of Teri Meri Kahaani was still in evolution. When Kapoor asked about working together on a different film, Kohli proposed the every bit yet unwritten beloved story.[6] Kapoor was dislocated only interested, and after Kohli explained the concept, he agreed to the role.[5]

Shahid Kapoor and Priyanka Chopra are looking towards the camera

Kohli had been in discussions with Chopra for a different project earlier, which would have paired her with Saif Ali Khan.[six] [17] At that time, Khan and Chopra had been asked to star together in a number of films, including 2 States,[xviii] Cocktail,[nineteen] Race 2 [nineteen] and Vishal Bhardwaj'southward Dreams.[20] Siddharth Anand'south accommodation of two States would film at the same time as Kohli'due south proposed film. Anand and Kohli met and agreed that Chopra would human activity in 2 States.[17] Afterward, Kohli approached Chopra with a new script, and she agreed to join the bandage for Teri Meri Kahaani.[21] Prachi Desai and Neha Sharma were cast to play Kapoor's beloved interests in the 1960s and 2012, respectively.[22] [23]

Kapoor said that of the three characters he plays—Javed the poet, Govind the struggling musician and Krish the college student—Krish is the closest to himself,[24] simply Javed was the nearly interesting, a type of graphic symbol he had never played before.[25] Javed uses shayari, a type of poetry, to flirt. "Shayaris are his pickup lines and very oft he does succeed to getting the girls," said Kapoor. "He is not a sophisticated shayar and that is part of his charm."[25] He as well called Javed "the funniest and naughtiest graphic symbol of 1910 I accept ever seen."[25] Despite the office beingness his favourite, Kapoor faced problems with the era-advisable costume, which required him to article of clothing traditional mojari shoes and clip-on stud earrings; he suffered from both shoe bites and reddish ears during filming.[25]

Chopra faced the challenge of her triple roles past playing each one as differently as possible. She used the script to identify unique characteristics of each—Aradhana is a Punjabi girl, Ruksar speaks with the manners of a popular Bollywood extra from Lucknow, and Radha displays a contemporary confidence.[26] Of the 3, Chopra constitute playing a daughter from 1910 to be the toughest. She said, "There was no reference betoken for it except some books," and the few sketches Kohli was able to provide for costume design.[27] Fifty-fifty with simply written sources, she worked toward developing an emphasis that would have been typical for a Panjabi girl from Pakistan.[27] In contrast, Chopra was able to consult Saira Banu, a leading Hindi moving-picture show extra of the 1960s, to understand the fashion her character Ruksar lived.[26] Like Kapoor, Chopra enjoyed the novelty of playing a grapheme in 1910, "a certain period which unremarkably [she] would not become to play,"[28] and she related all-time to her contemporary character Radha.[29] Only for her Ruksar was the most interesting. "I got to play a superstar actress of the 1960s," she said. "I got to wear the glamorous clothes of those days, don big hair-dos and speak the way actresses spoke so. I loved all those things."[26]

Manish Malhotra and Kunal Rawal designed the costumes for Chopra and Kapoor respectively.[eight] Malhotra likewise consulted Asha Parekh, who gave several insights into the life of actresses in her solar day, to design Chopra'southward costumes and look to play Ruksar.[26]

Filming [edit]

Muneesh Sappel handled the art direction while Sunil Patel did the cinematography.[eight] Sappel created 3 sets depicting the 1910, 1960s and 2012 settings for the three storylines.[30] He did extensive research for six months, visiting each location in person to ensure that the sets looked accurate and real, and using visual effects (VFX) to consummate the designs.[30]

A view from Melton Hall on Jubilee Campus

The 1910 portion, which is prepare in Sargodha, Punjab, during the British Empire, was like shooting fish in a barrel to recreate with "a temple, mosque, market place, a small hamlet, brick houses etc."[30] Initially, the crew wanted to use an actual village as the set, simply were unable to find one that had non changed in the past century. Instead, they chose to construct a set that would be historically authentic.[31] Sappel said that the prepare for 1960s Bombay was much more time-consuming, with "trams, chawl, guest houses, old studios and onetime cinema houses" to create the intended atmosphere.[30]

Principal photography started in Bombay in late May 2011.[32] The first stage of shooting was completed in early on July 2011. Filming resumed at the cease of the month, and connected until mid-August 2011.[33] Initially, the London scenes were to be shot in September after the release of Mausam (2011), another picture show starring Kapoor. However, the release engagement was postponed one calendar week to 16 September, causing the pre-release promotions to conflict with the existing shooting schedule.[34] Chopra was scheduled to film Barfi! (2012) in July, but director Anurag Basu agreed to move filming to September so that Kohli could film with both Chopra and Kapoor in July.[34]

The London portion, where Kapoor and Chopra portray two college students, was filmed at the University of Nottingham's Jubilee Campus and the Stratford-upon-Avon.[35] [36] Filming ended in January 2012 with a four-day long song shoot in Aurangabad, Maharashtra.[37]

Soundtrack [edit]

Teri Meri Kahaani
Soundtrack album by

Sajid–Wajid
Released 6 June 2012
Genre Film soundtrack
Label Eros Music & T-Series
Sajid–Wajid chronology
Rowdy Rathore
(2012) 		Teri Meri Kahaani
(2012) 		Ek Tha Tiger
(2012)

The film's soundtrack was composed by Sajid–Wajid, with lyrics written by Prasoon Joshi. The album consists of five original songs and two remixes.[38] The vocals were performed by Wajid, Rahat Fateh Ali Khan, Mika Singh, Shreya Ghoshal, Sonu Nigam, Sunidhi Chauhan and Shaan.[39] It was released on six June 2012 past T-Serial.[38]

Rail listing[40]
No. Championship Singer(s) Length
ane. "Mukhtasar" Wajid 05:32
two. "Allah Jaane" Rahat Fateh Ali Khan 05:27
three. "Jabse Mere Dil Ko Uff" Sonu Nigam, Sunidhi Chauhan 04:43
4. "Humse Pyar Kar Le Tu" Wajid, Mika Singh, Aftab Sabri, Hasim Sabri, Shabab Sabri, Shreya Ghoshal 05:45
5. "That'due south All I Really Wanna Exercise" Shaan, Shreya Ghoshal 03:01
vi. "Mukhtasar (Remix by DJ Suketu, Bundled past AKS)" Wajid 06:48
seven. "Humse Pyar Kar Le Tu (Remix by DJ Suketu)(Arranged past AKS)" Wajid, Mika Singh, Shreya Ghoshal 04:51

The soundtrack received positive reviews from critics. Noting it as a "a very good success, specially and then since information technology has melody at its base of operations", Joginder Tuteja of Bollywood Hungama gave the album a rating of four out of v, writing, "Sajid-Wajid and Prasoon Joshi can be remainder assured that their music would reach out to the masses in a large way and notice very good appreciation."[39] Hindustan Times gave it a rating of iii.5 out of five, praising its "youthful fervour" and calculation that "the anthology manages to capture the essence of three unlike periods on which the motion picture is premised."[41] The Times of Republic of india gave it 3 out of five, likewise commenting on its fresh and youthful feel, and calling information technology "another striking album" despite the fact that "it falls curt in some songs".[42] Koimoi gave the "proficient anthology" 3 out of 5 and wrote, "as a bundle information technology has enough ingredients in it that would ensure that the songs do take hold of your attention when they are played on screen."[43] BBC identified the album as "A oversupply pleaser featuring the cream of the industry's playback singers."[38]

Release [edit]

A picture of four people looking towards the camera

Kohli, Kapoor, and Chopra at a promotional issue in 2012

Several stills from the films were released to the media earlier the trailer, which was posted online on 5 April 2012.[44] [45] [46] Media publications noted the chemistry between Kapoor and Chopra, with Hindustan Times writing, "Later on a scintillating chemistry in Kaminey, Priyanka and Shahid look picture-perfect [and] ooze wonderful screen chemistry in each of their avatars."[46] Following the release of the theatrical trailer, media started speculating that the flick might be a remake of or inspired by the 2005 Taiwanese film 3 Times, which has a similar theme. Nonetheless, Kohli denied the speculations, saying that he had not even seen that motion picture and any resemblance was just a coincidence.[47] "Now-a-days if you want to remake a motion picture, you lot just buy the rights and make the pic," he said. "So if I wanted to brand 'Three Times' I would take bought the rights."[47] The commencement-look affiche of the flick was released on 9 Apr 2012.[48] A 2nd trailer was released on v June 2012.[49] The movie's trailers and music built anticipation for the film.[16]

During the production phase, the moving picture underwent several name changes. Initially, the media reported that the film was titled Janam Janam Ka Saath Hamara Tumhara, shortened to Janam Janam Ka Saath, but subsequently it became Teri Meri Kahaani. In Nov 2011, reports began that the moving picture'south name might exist inverse again to Muqtasar.[50] At the time Kohli stated merely that they had not yet decided the title of the film. Such speculation was believed to exist a marketing choice to increase marvel for the film.[50]

Made on a budget of ₹300 million, Teri Meri Kahaani was released on 22 June 2012, clashing with Gangs of Wasseypur - Part ane.[two] The picture show had a "beneath the mark" opening, garnering but xxx% collections.[51] [52] Information technology performed best in the Delhi region.[51] Reports stated that the only adept news for the film was that collections had not dropped significantly on the second day.[52] However, collections rose by the end of the weekend, amassing a full of ₹160 million for the picture show's opening weekend in India and a further $1.42 million overseas; its worldwide opening weekend collection stood at ₹295 1000000.[3] [53] Past the quaternary day it dropped around 55%.[54] In its first week, the film went on to collect ₹230 million at the domestic box role and $2 million from overseas for a worldwide total of ₹414 million.[55] By the cease of its second calendar week, it had nerveless domestically a total of ₹250 million.[56] Afterwards its theatrical run, the picture show grossed over ₹370 one thousand thousand in Bharat and $3 million from overseas for a worldwide total of over ₹540 meg.[three] The flick underperformed at the Indian box-part, but performed well in the overseas market.[3]

Distributed by Eros International, a DVD was released on 14 Baronial 2012 in all regions in a single-disc pack in NTSC format, with no bonus content.[57] The VCD version was released at the same time.[58] The Indian idiot box premiere occurred on three January 2014 on Zee Cinema.[59]

Critical reception [edit]

Critics praised the performances of the lead pair, their chemistry, the music and the product design, particularly the re-cosmos of 1960s Mumbai, merely were disappointed with the story's predictability. Calling the picture show "simple and charming", Taran Adarsh from Bollywood Hungama gave the flick a rating of 3.5 out of v and wrote, "Not the usual romantic fare, this one presents 3 different stories in iii different eras without getting theatrical or melodramatic. Thank you to its innovative storytelling, it comes across equally the perfect date movie, belongings tremendous appeal for the Facebook Gen. Teri Meri Kahaani is pleasurable and fascinating in equal measures."[60] He said that the chemistry between the lead actors was what made the motion picture work, and noted the production design every bit "impressive" and the cinematography as "top notch".[sixty] Sonia Chopra of Sify gave it three out of five stars, concluding, "Teri Meri Kahaani holds your attention whether information technology'south the writing, storytelling, or the technical aspect. It's a popcorn cruncher, but that's also fairly intelligent and hearty." She added that the two leads "sparkle with earnestness and zing," with Kapoor "sure to increase his fan-post-obit several fold" and Chopra "easily slipping in-and-out of the layered characters with dexterity."[61]

Rummana Ahmed of Yahoo! movies labelled the pic a "breezy romantic comedy which makes for an effortless watch".[62] In another review, Business organisation of Cinema gave a rating of 3 out of 5, stating, "Predictable, just beautifully told, 'Teri Meri Kahaani' is for dice-hard romantics."[63] It as well praised the versatility of the lead pair as they "effortlessly slip into the shoes of each grapheme," with their "wonderful" chemical science "strengthened by effective dialogues".[63] Calling the film "charming", Sukanya Verma of Rediff gave it 2.5 out of v stars, writing, "Teri Meri Kahaani, with its breezy running time and frothy leads, continues the tradition in a much ameliorate manner than I predictable." She explained, "Kohli dilutes the chance of a wholesome, affable entertainer downwards by his predilection for chance-free conclusions. But [...] Teri Meri Kahaani is a far meliorate film than I came to run into."[64]

Vinayak Chakravorty of India Today gave the film a rating of 2.five out of 5, noting that the flick tells the stories which "you and I already knew" and that the lead pair "hardly get a reason from the screenplay to requite something actress to their roles."[65] Daily News and Assay gave it a rating of 2 out of five with a review stating, "The film does have its moments for sure. Overall, it remains a sweet film – a light and frothy entertainer, but without much substance."[66] Firstpost gave it a rating of 2 out of 5, noting that the film was all about Kapoor and Chopra'southward "magnetic screen presence" in "the picturesque surroundings they fall in love in. Director Kunal Kohli'due south dialogues hit the right notes, just non always. The story goes a tad askew and a bit flat in parts, then every bit a whole, Teri Meri Kahaani is non the greatest beloved story e'er told on celluloid."[67] Rajeev Masand likewise gave it 2 out of five for being "harmless just slow"; though he said that the opening story "has a nice charm to it," he felt that the film "doesn't work despite potential in the premise."[68]

References [edit]

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External links [edit]

  • Teri Meri Kahaani at IMDbEdit this at Wikidata
  • Teri Meri Kahaani at Bollywood Hungama

Source: https://en.wikipedia.org/wiki/Teri_Meri_Kahaani_%28film%29

Posted by: mahartress1947.blogspot.com

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